Sonia Delaunay’s innovative explorations of color and form were integral to the development of abstract art in the early 20th century. Initially inspired by quilt patterns, Delaunay eventually incorporated the stylistic concerns of Cubism, Fauvism, and Futurism into her bright, geometric paintings and prints. She variously dubbed her style “Orphism” or “Simultaneism” and focused on the possibilities of color combinations. In 1964, Delaunay became the first living female artist to have a retrospective exhibition at the Louvre; her work would later be shown at institutions including the Musée d’Art Moderne de Paris, the Musée des Arts Décoratifs, the Centre Pompidou, Tate Modern, and Cooper Hewitt, Smithsonian Design Museum. Delaunay also worked in fashion, interior design, graphics, collage, bookmaking, and textiles—and blurred the boundaries between these disciplines and fine art.
Sonia Delaunay (after), Composition à la robe-disque, 1925, 1994, Signed, Lithograph in colors with embossing, Edition 436/600, 19 1/2" x 15 1/2" Framed Size, 15 3/4" x 11 3/4" Sheet Size
